TSPDT placing: #737
Richard Widmark, an actor who I'm really beginning to like, plays the haughty pickpocket with composure, though always with that hint of ill-ease that suggests he's biting off more than he can chew. The opening scene on the train is the film's finest, as McCoy breathlessly fishes around in his victim's hand bag, recalling Bresson's Pickpocket (1959). Thelma Ritter is terrific as a tired street-woman who'll peddle information to anybody willing to pay for it (though, of course, she draws the line at Commies). Jean Peters is well-cast as the trashy dame passing information to the other side, playing the role almost completely devoid of glamour; Fuller reportedly cast the actress on the observation that she had the slightly bow-legged strut of a prostitute. Nevertheless, Peters must suffer a contrived love affair with Widmark that really brings down the film's attempts at realism. Fascinatingly, upon its release, Pickup on South Street was promptly condemned as Communist propaganda by the FBI, and the Communist Party condemned it for being the exact opposite. Go figure.
2) Stalag 17 (Billy Wilder)
3) I Confess (Alfred Hitchcock)
4) The Titfield Thunderbolt (Charles Crichton)
5) Pickup on South Street (Samuel Fuller)
6) Roman Holiday (William Wyler)
7) The War Of The Worlds (Byron Haskin)